It occurs to me that you might be interested in my warp weighted loom plan. I need to give credit where it is due. The plans I have used are mainly from the old Early Period Magazine. It was an SCA publication, I think. It has not been published in quite some time, but here is the link to the archives:
The articles are in Issues 2 and 3, Making a Warp Weighted Loom and Warping Your Loom, respectively. These plans have been THE most helpful to me, mainly because there are drawings to look at. If you want to use the plans from these two issues, send the people who run the website an e-mail and ask for permission. I'm sure they will give it--when I asked, they were very nice--but it's better to ask first.
When I began researching this topic, there wasn't a lot of information out there. There is more now, including some particularly good videos on YouTube by a young man who was doing a college project. I have not found any plans that are the equal of the ones from Early Period Magazine, which was the first set I came across. The videos give additional visual impact, but merely add to the information already presented. What I'm doing here is relating my experiences with warp weighted looms.
Some plans I came across call for "sizing" the warp. Sizing means putting a mixture of glue and water (or starch) on the warp threads so they will be stiff and strong while you are weaving them. You have to wash it out of the project when you're done. I don't think this is a necessary step for the time period I'm working in (1st century BC-AD). I also fear that if I tried to do this, it would result in a huge sticky mess. It also assumes that you are using crochet cotton for the warp. I don't really want to think about trying it on wool.
The sizing recipe calls for 4 to 5 pints of water per one pint of Elmer's school glue. You mix it up and toss the skeins of warp into it, squeeze out the excess and hang it up to dry.
When I began researching this topic, there wasn't a lot of information out there. There is more now, including some particularly good videos on YouTube by a young man who was doing a college project. I have not found any plans that are the equal of the ones from Early Period Magazine, which was the first set I came across. The videos give additional visual impact, but merely add to the information already presented. What I'm doing here is relating my experiences with warp weighted looms.
Some plans I came across call for "sizing" the warp. Sizing means putting a mixture of glue and water (or starch) on the warp threads so they will be stiff and strong while you are weaving them. You have to wash it out of the project when you're done. I don't think this is a necessary step for the time period I'm working in (1st century BC-AD). I also fear that if I tried to do this, it would result in a huge sticky mess. It also assumes that you are using crochet cotton for the warp. I don't really want to think about trying it on wool.
The sizing recipe calls for 4 to 5 pints of water per one pint of Elmer's school glue. You mix it up and toss the skeins of warp into it, squeeze out the excess and hang it up to dry.
If you don't have a wide-ranging primitive or small loom background, such as a familiarity with backstrap, rigid heddle, tapestry or inkle looms you may have problems with some aspects of the Warp Weighted loom. When I started this, I had absolutely no idea what I was doing or getting into. I had woven two projects on a table loom in high school some 25 years ago (30 now!). You may be far more ahead on this than I was.
As I mentioned before in the post of September 29, 2012, entitled Making String Heddles for the Warp Weighted Loom, I have trouble making the continuous heddles. Another blogger here on blogspot used a netting shuttle to make her continuous heddles, but she has experience with backstrap looms. (I, on the other hand, had to look up what in tarnation a netting shuttle was!) On my current project, I've decided to make loops. The author of the Early Period articles covers string heddles in much more detail than anyone else, including diagrams of how to make a continuous heddle and spacer chain. If you have trouble interpreting a static image diagram, such as stitch illustrations for crochet or knitting, you will have difficulty interpreting these, also.
As I mentioned before in the post of September 29, 2012, entitled Making String Heddles for the Warp Weighted Loom, I have trouble making the continuous heddles. Another blogger here on blogspot used a netting shuttle to make her continuous heddles, but she has experience with backstrap looms. (I, on the other hand, had to look up what in tarnation a netting shuttle was!) On my current project, I've decided to make loops. The author of the Early Period articles covers string heddles in much more detail than anyone else, including diagrams of how to make a continuous heddle and spacer chain. If you have trouble interpreting a static image diagram, such as stitch illustrations for crochet or knitting, you will have difficulty interpreting these, also.
I do my loom set up before Journey to Bethlehem opens. Weeks before, in theory, but sometimes life happens. I don't do it in costume and I don't use period correct tools; I use scissors, crochet hooks and a tape measure. During production, if anyone is interested, they can weave a couple of picks.
Another thing to consider is spacing the warp with a chain (I crochet mine, that's the easy part) and your eyesight, if you are using weaving threads. You don't have to crochet it, you can make the chain using just your fingers (that's in the House Barra archive, too). Crochet is not period (1800's I think). Unless you are doing the set up as part of the demonstration and need period accuracy (and there are people around who will KNOW the difference and will take points off or something) or you don't know how to crochet, I wouldn't worry about the anachronism.
This is a spacer chain on a previous project from 2006. |
Either use the same type of thread you are using for the warp, or at least the same or smaller weight or ends/wraps per inch for the spacer chain. My current project uses a wool yarn warp and weft. If I were to use the same yarn, then it would stick together. I'm going to use a blue cotton/bamboo size 3 or 5 crochet thread for the spacer chain and heddles. This is so I can see and feel the difference the chains and heddles from the project in the dark, since our production times are always at night.
If you are crocheting the spacers, use the crochet hook recommended for the gauge of the thread. For example:size 5 to 7 steel crochet hook for a size 10 bedspread cotton. The larger the number on a steel hook, the smaller it is, whereas it's the opposite for the aluminum and plastic ones. Why does it depend on the gauge of the thread? Because I used a plastic M or N size hook, once, when I had a warp that (if crocheting) normally took a size D or C hook. The spacer made the warp too wide for the weaving width and I had to re-do it.
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